O PROCEDIMENTO CRIATIVO EM NARRATIVAS CURTAS DE AGUINALDO JOSÉ GONÇALVES.

Abstract

In this thesis, we study the short narratives O mundo crepuscular Hortência, Os três destinos de Luzia and Nos degraus que se bifurcam, in Das estampas, Aguinaldo José Gonçalves, to get to the homological understanding of the creative procedure in which the narratives were woven, seeking generators elements of tension effect; the rhizomatic lines; universes poetic text; the diegetic speech; the dialogues between signs; thematic choices with their mythological overlapping, besides analyzing osmosis look, which form the set of signic movements that interact with each other. For such studies, we seek artists, theorists and critics of literature as Proust, Edgar Alan Poe, Julio Cortázar, for your critical role about short-story and because tale by Gonçalves O mundo crepuscular Hortência refers to Cortázar Continuidade dos parques, and others mentioned or linked to the narratives under study. Thus, the main objective of this study is the analysis short narratives by Gonçalves, highlighting that the stories narrated with their signs work metrically become mere pretexts for the suggestive context of how is the creative procedure of short narrative, in the stylistics of creator of the work that distinguishes the literary art to put in signs and arts dialogue with her artistic that mirrors the selfpoetic speech.