A RUPTURA NO PLANO HISTORIOGRÁFICO PELO VIÉS DA METAFICÇÃO HISTORIOGRÁFICA EM MEMORIAL DO CONVENTO.

Abstract

The purpose of this research is to analyze the thin lines that create a rupture in the plans of the narrative, both in the historical process (literary historiography) as its marginal position (historiographic metafiction) in Memorial do Convento of José Saramago. The discourse is ordered in order to consider what was in Memorial do Convento as a means to record the speech itself or the ideological expression of the ruling power, in view of the periodicity of historical fact and measured the impact that such actions resonated with the Portuguese Crown. The establishment of the narrow limits of historical appearance, whose statement reflects more than a simple plot, overcomes the essence of the analysis, assuming a comprehensive study under the conditions of construction of historical discourse, be it on the triad of power in historiography, or the margin metafictional utterances in this constitution. So are characterizations of "beings" discourse tied the dynamics of a historical era, an exhibition of the history; beyond that differentiate these subtle concepts for fiction / reality. Mankind is not exempt from its historical constitution because their brands are indelibly recorded in the literary, as this is in itself a representation of customs, ideas and thoughts, also, the philosophical expression of an era. The theoretical discourse and the weights will give under the foundations of Mikhail Bakthin (2010), Terry Eagleton (2001), Jean-Maurice Lefebve (1980), André Trouche (2006), Maurice Halbwachs (2006), Peter Burke (1992), and Linda Hutcheon (1991). Thus, history is written, narrated, and recreated based on fact. This way, you can have the conviction that past data that have come to us because they are not the facts themselves but representations of events that occurred from the perspective of the statement of a "being" discursive.