PERCEPÇÃO E DEVANEIO NA LÍRICA MODERNA: O TEMPO DA MEMÓRIA DA INFÂNCIA.

Abstract

This paper intends to demonstrate that memory, perception and daydreaming are key elements for the construction of modern lyric which refers to childhood. Furthermore, we aim to ensure that is through interaction lyric self, text and reader that poetry is complete. That is, it is in the participation that the poem takes place. The lyric self through the perceptual memory, rescues the distant past of the first images, implementing it in the form of object full of poetic images, directing it to the beholder. This, in the apprehension of "worlds" artistically aroused, it finds itself full of old and even new images. The daydreaming arises, this way, from the intersection of time and resulting images of this indissoluble triad. Our study is based on the theories of two French philosophers of modernity: Maurice Merleau-Ponty, especially in his Phenomenology of Perception work, and Gaston Bachelard, especially his The Poetics of Daydreaming work.