O SENTIMENTO DO SER E DO ESTAR NO MUNDO.

Abstract

This research is aimed on the reflexion and analyses on Carlos Drumond de Andrade lyric, on Worlds Feeling , work published in 1940, with the objective to develop studies about being, transfigurated into images and poesy. Specifically, we intended to analyse the role of the poet when he assumes the Present life as a subject of his production. Worlds Feeling , International fear Congress , The overcoated dead , The Leblon s Inocents , The shoulders endure the world , Holding hands , Ancient world s memory , among others which are inserted on the work, are examples of tireless mark, poesy structure, about the existence of the man. The main methodology used was the bibliographic research, applying theories about poetic text, concepts and analyses from the phenomenological critics involving the thinking of Martin Heidegger about the being and time. That is why the phenomenology helps to recover the existentialism experiences, trying to acquire the reality in its whole complexity and plurality , besides worrying about the hardness of the critic analyses. Theorist such as José Fernandes, Albert Camus, Gilbert Durand, e Afonso Romano Sant Anna were approached to form the study, divided in three parts: the first regards the observation on the poetic being; the second is a moment where we can see the images in The World s Feeling ; and finally, examine the Sísifo s myth in Drummond s poesy as expression of the modern man. Hoping that this work is able to contribute to the development of reflexions on Carlos Drummond de Andrade poetry, related on concepts about the being and transfigured time in poetic structure that shows the literature importance of this poet and his creative strength.