DA IDEALIZAÇÃO À (DES)SUBSTANCIALIZAÇÃO DO SER DA MULHER NAS OBRAS: ORGULHO E PRECONCEITO, DE JANE AUSTEN E A PAIXÃO SEGUNDO G. H., DE CLARICE LISPECTOR.

Abstract

This works aims to study two major novels: Pride and Prejudice by Jane Austen and The Passion According to GH , by Clarice Lispector, highlighting the construction and deconstruction of the female figure in literature . In Pride and Prejudice, it is noted that the figure of the woman is constructed from a romantic vision. The female figure appears as a discourse of the other, due to the idealization of a society based on the control of men over women. The possessive relationships within the family and society are derived from religion and the patriarchal model, legitimizing vehicles that contributed to the formation of female identity in the eighteenth century. The female figure, conscious of its social role, discusses, through narrative, issues related to marriage and functions aimed at women, questioning the social rigidities that denies female subjectivity. In The Passion According to GH, a modern view of language, with traces of postmodernism will observe if - . Finally, we intend to establish a dialogue between the two novels, seeking parallels that prove that the woman, built in Pride and Prejudice, undergoes a process of deconstruction, set in GH character, the work of Clarice Lispector. This is achieved through a discursive deconstruction and (un) process substantiation of female character who, by becoming aware of the social conditioning about their identity, goes to deconstruct. The strong presence of inner monologue provides the narration to unleash the flow of consciousness, in which the character is being deconstructed and loses his human form, in the pursuit of understanding of his own existence.