O DISCURSO DA MEMÓRIA E FINGIMENTO, EM CONFISSÕES DE RALFO, DE SÉRGIO SANT ANNA.

Abstract

This study aims to conduct a search through a critical approach of the artwork Ralfo Confessions, (a fictional autobiography) of the Brazilian writer Sérgio Sant Anna, first published in 1975, considered in the context of Brazilian literature contemporary, as a memory book which features a multiplicity of writing faces itself such as: Imaginary Autobiography, memory, daily and epistle (letter). To develop this study, we used the aesthetic concepts and phenomenological on various theories on the subject, focusing on phenomenology and hermeneutics, on the interpretation of a life in the work of contemporary art. Therefore, were selected authors of works who have developed and still develop researches that underlie the subject studied in order to ground theoretically every study. Among them are: HAMBURGER (1975), FOUCAULT (1985 - 2006), BAUDRILLARD (1991), WOLFGANG ISER (2002), BARTHES (2004), CAMPOS (2004), ROBERTS (2007), LEJEUNE (2008), BAKHTIN (2010 - 2013), PAREYSON (1993), among others, which undoubtedly will contribute significantly to the understanding and critical analysis of this study. This study belongs to the field of Literary Theory, which proposes a new way of looking at the memory speech and simulation in the context of contemporary Brazilian literature.