ETHOS E DISCURSO FEMININO: PERCURSO E PRESENÇA NA CONTEMPORANEIDADE EM DUAS ESCRITORAS GOIANAS.

Abstract

This paper conducts a critical approach to ethos present in female discourse, tracing a historical profile to culminate in the works and speeches of two Goiás writers: Maria Aparecida Rodrigues and Maria Helena Chein, who in his dialogues with other works, make up our object of study. Used as an analytical method, preferably, the deductive, since, saying something about the object of study, we set of hypotheses that can be tested in comparative studies, performing an investigative research, comparing texts and readings in order to demonstrate affinity, various orders, between universal literature and produced in Goiás. This research uses, and other theorists of Ruth Amossy studies, regarding the statement that every act of taking the word implies in building a picture of themselves. In the first chapter, Ethos and female literary discourse, observed in the works under study, dialogues, traces of speech and character building of the texts studied, focusing on the presence of women in literature, and the ethos of the manifestation in the discourse of female voice. In the second chapter, Hiking and mishaps of the female voice literature, we revisit the voices who undertook trajectories in Literature, encouraging other writers and critics to participate in this particular discourse. Goiás two authors and their writings in this chapter, there was an almost exclusive attention to the works of the two writers Goiás in question, making a comparison between them, observing the nuances of their texts, from theoretical basis to demonstrate how it is put into his work ethos and female speech in dialogue with other works and other realities. In Chapter IV, Two writers Goiás two arts scene, is put in question, the writing of the two Goiás writers studied observing inherent properties of the game played with some concepts as truth and lie, metamorphoses and others, in which the words give life the language that moves between moving images and scenes of past and future, permeating a cinematic reflection of this.