A TRADUÇÃO DO CONTO BLISS, DE KATHERINE MANSFIELD, POR ANA CRISTINA CESAR: UM EXERCÍCIO DE CRÍTICA E (RE)INVENÇÃO

Abstract

This paper aims to bring the translation of Bliss tale written by Katherine Mansfield, the theory of translation transcriativa Haroldo de Campos. Therefore, we seek the translation of Ana Cristina Cesar brands that refer to this translation model, which has its main assumptions in the work with the metalanguage. We propose initially a study that captures the function and task of the translator as well as draw a kind of translation archeology (VENUTI, 2000) in order to understand how the evolution of the translation method "sense of direction" contributed so much to creation of a Theory of Translation, as positively contaminated the work of German Romantic poets, in addition to translation studies Benjamin, Paz and Campos. The research is also about the translated version of Bliss tale, performed by Erico Verissimo, which shows up as an important cultural apparatus, given its time of production. As well as to make the necessary counterpoint to translation by Cesar. Thus the thesis presented here, appreciates the work done by translators studied in order to understand how the seizure of the poetic object, from an ideological point of view, acts on translation projects Cesar and Verissimo. It is possible, at this meeting versions, highlight speech marks, gender and Interpretation granting the translation by Cesar, the construction that meets the principles transcriativos fields and reveal the genius of the poet, critic and translator stylistic brevity at the expense of language poetic.