POLIFONIA E DIALOGISMO EM DEUS DE CAIM E MADONA DOS PÁRAMOS, DE RICARDO GUILHERME DICKE.

Abstract

The purpose of this study is to show the presence of polyphony and dialogism as building factor and renovation of narrative techniques used in the novels of Deus de Caim e Madona dos Páramos, by Ricardo Guilherme Dicke. For such, this research seeks to revisit the route taken by the writer to make the sort of emissions and better represent the variations of the voices in the narrative, since the novels under consideration are composed in accordance with the current modes and enhanced narrate. Therefore, we intend to occupy in the presence of various narrators who make the issue through selective omniscience, the interior monologue, the stream of consciousness, the soliloquy, the narrator camera and dramatically. The studies about dialogism, also developed in this research are intended to highlight the dynamic and complex relationships that are established between the texts in order to ratify an idea or subvert it. Furthermore, we will study the different compositional resources used by the author, as parody, paraphrase, styling, citation and allusion. This narrative mode allows Artworks commented here establish links with texts of various areas of knowledge produced in the most varied epochs. To investigate the aspects of polyphony take as theoretical assumptions of the concepts developed by Mikhail Bakhtin and Norman Friedman, and those relating to the dialogic and intertextual movements employ the propositions of Mikhail Bakhtin and Julia Kristeva. There are also mobilized in this research studies by Robert Humphrey, Affonso Romano de Sant Anna, Georges Gusdorf, José Luiz Fiorin and Ligia Chiappini Moraes Leite and others.