AS VÁRIAS FACES DA PALAVRA ROSEANA.

Abstract

The enigmatic phenomenon of literary creation of João Guimarães Rosa surprises and fascinates critics and readers, at first by the vast of linguistic network resources that engenders your writing, however the extent that enter into the Rosa s poetic space are hurled to a dimension of pure uncertainty and magic, in which the extraordinary lyricism of the author that takes the word and announces your full said, original and rapture. Ave, Palavra recreates the world by means of a sober poetry, however essential, decanted from a vigorous and energetic language that never gets tired of to haunt by your rebellious and obscure nature. This paper aims to explore the complex system percussed by the literary language mentioned by Michel Foucault, which commands the Rosa´s poetic flows in Ave, Palavra, by means of the analysis of certain procedures creation of linguistic and stylistic elaboration presents in all of your composition; also is intended to investigate the lyricism that the essential verb emanates in this rough and rid space, in which bend over himself, hiding the various faces of the complex word and the unusual intention of Rosa s written of the reverence to the poetic art, since that Ave, Palavra bears an action lyrical articulated in the sovereign space of the work: that was described by Maurice Blanchot in which transcends and converts all the superficiality of the outside world in a incessant said, inexhaustible and overwhelming.