A ESTÉTICA DE PLÍNIO MARCOS EVIDENCIADA EM DOIS PERDIDOS NUMA NOITE SUJA, NAVALHA NA CARNE E BALADA DE UM PALHAÇO.

Abstract

This dissertation presents an interpretive and comparative study of the theater performances Dois Perdidos Numa Noite Suja, Navalha na Carne and Balada de um Palhaço, from Plínio Marcos. The main objective is to highlight the uniqueness of aesthetic creation performed by the author, as well as its importance in the Brazilian theatrical scene in plans of content and form. It is observed that the proposed analysis assumes that the works raise distinct ontological and universal issues on the humanity, sometimes half hidden in the textual surface of prosaic appearance. Thus, it is appropriate to deal with aspects that enable interaction with Plinian artistic production, such as the ease of language, composition of characters and texture conflict. Individual examination of the dramatic text is followed by a more specific comparison between them in order to better highlight its characteristics, composed of similarities and differences, which in different ways express immeasurable artistic quality. This the research follows the deductive nature of methodology, bibliographic and documentary, in which the theoretical support account: with articles published at the time of presentation of the parts of Plinio Marcos; theoretical scope of literature and theater, among them: Artaud (1999), Bakhtin (1981, 2002, 2003), Bonfitto (2002), Bornheim (2007) Dort (2010), Magaldi (1994), Nietzsche (1994), Prado (2001), Rosenfeld (1982, 1985, 2008), Szondi (2001), Virmaux (1978). It should be noted the incidence of the theoretical concepts in the analysis of the object of the research parts, which is founded by the fabric of the dramatic text, because it includes not here to study the staging of the shows.