O ÚTIL EM O INÚTIL DE CADA UM (REMINISCÊNCIAS NA PRODUÇÃO LITERÁRIA).

Abstract

This research undertakes bibliographical analysis of the work of each of the useless, Mário Peixoto, focusing their status as art making his literary and artistic aspects. This happens from the ironic game of idle word that the human existential point of view, this compendium is weak in resisting the psychic and physical changes imposed by time; that, for art, constitute fertile ground for the realization of the product in without his suscitação is the result of a purpose. Here, the useless is observed the possible significance understanding that the literary character is marked by fluidity that tends to unusual shafts dictated by memories. The puzzling why so excellent production still remain unscathed, the marginal situation of Peixoto and, more strongly, interest in exploring the reminiscences in literature were attractive preponderant for this study. The text is organized into three chapters being the first situante the work in his transcendent condition, addressing aspects of the baseline useless each in their carrier status of relevant artistic character. Thus, they are knitted having comentos analytical parameter by modern criticism. Based on the concept of rhizome proposed by Giles Deleuze and Felix Guattari in A Thousand Plateaus, in the second chapter, the work is analyzed from the point of view of it, the constitution of the plot, distorts sharply by default not show linear narrative sequence can be read at random. The third chapter is themed looks and voices in the sea of Peixoto observed beginning at Orlando like a character whose constitution takes jutting inside; where what matters is emphatically the "useless" - crossed voices and preserved the added hearings and reiterations of happened and feelings translated into literary language. Also, the recollections made in images, words in presenting the unspeakable.