DO CORPO NO CORPO: Da materialidade das imagens em instâncias movediças às formas sensitivas em Vermelho, de Aguinaldo Gonçalves.

Abstract

This work is a study of the Vermelho (2000), of Aguinaldo Gonçalves on the notion of art as a living body, which provides for other bodies, a process of singularization of the creative act. The research begins by now features modern art and contemporary now, from the reflection on the concept of (dis) simulation and simulation, marked by the recurring presence of another work of art in another body. Thus, there is a link between the aguinaldeanos poems and artistic experimentalism, as well as concrete poetry and other artistic aspects of literature and other arts. Thus, it seeks to also relate the micro-connections established with other artists - works in which the poet converses and interconnects, forming a rhizome art, which included multiple connections. Hence it is: the body in the body, a technique that establishes compositional analog relations, reinforcing the expressive value of the compositional elements of the production art Aguinaldo Gonçalves. Finally, the Vermelho s poems depart from merely concrete to reach the senses, causing the reader s eye captures images-signs - words, shapes and colors - and they interact. The development of the research has as theoretical, the works of Baudelaire, Hugo Friedrich, Gaston Bachelard, Jean Baudrillard, Gilles Deleuze and Felix Guattari, Susanne Langer, Philadelpho Menezes, among others.