DA TRANSGRESSÃO DAS PALAVRAS AO CAOS DO SER EM OTELO, DE WILLIAM SHAKESPEARE, E ANJO NEGRO, DE NELSON RODRIGUES

Abstract

The research brings a approach about a transgression of the protagonists living in the chaos, as aesthetic effect caused by the darkest and monstrous feelings like jealousy, selfishness, envy, among others. The objects Othello, William Shakespeare, and Black angel, Nelson Rodrigues, were chosen accurately to bring up the comparative method, concealment of the actions of the protagonists who reveal their affections and disaffected. The desire leaves the characters Othello and Ishmael tangled in his own ego. The rhythms of events are tense, with death consequences on a stage possibilities for bias of words. In the scenes, the behavior of the characters show contrasts between love and hate. The origin of the dramatic situation of the interior of the being that is lost to you and plunges into a maze with no exit. The theoretical references that gave the basis for the study were Carvalhal, Bataille, Sartre, Freud, Marvin Carlson, Bradley, Bakhtin, among others. Thus, the pieces in comparative analysis show filled stories of intrigue, betrayal, desire transgressor of feelings in an internal war scenario that suggests that reflection of the human condition.