A TRAJETÓRIA DO SER E DA LINGUAGEM NO DISCURSO LITERÁRIO EM TERRA SONÂMBULA, DE MIA COUTO

Abstract

The purpose of this dissertation is to analyze, through a phenomenological hermeneutic approach, of literary work Sleepwalking Land of Mia Couto, from the perspective of language as an aesthetic phenomenon and as a process of "essentialization", under the theoretical concepts of the being, especially based on Martin Heidegger who defined: "language is the home of the being". It aims to understand the dynamics of the work writing and literary writing, divided into two metonymic cores that dialogue and intercommunicate in the dynamics of the artistic process: the macrocosm and the microcosm. The first part of the fictional language on the human universe; the second refers to the fictional itself, language as an artistic product. It also seeks to understand the process of construction of the literary work. Notes the language of the characters of Terra Sonâmbula, especially of the protagonists, but not only of them, searching for clues that indicate which ones have greater possibilities of awareness and in what stage they are in this attempt to glimpse their own being. Through their trajectories are revealed the internal and external interferences that influence, positively or negatively, the process of essentialization of these characters.