CORPO CINDIDO EM FRIDA KAHLO

Abstract

This research led to our perception plural verb-ups of visual artistic languages present in the art of the mexican Frida Kahlo. Analyzes her artistic construction, making associations between pictorial art in its diverse self-portraits and literary art of intimate diary, marked by pain and suffering. We are guided our work in translated form of the work Pain and Art, Urania Peres; The Diary de Frida Kahlo, transcribed by Carlos Fuentes, translated into Portuguese by Frederico de Morais. We use the theoretical, Sigmund Freud to ramble on flows conscious and unconscious; Jacques Lacan in the refractions of the signs in mirrors; Claude Zilberberg in tensividade of signs; Gonçalves, for the conduct of studies on the signs, among others. The rich creative inner world of the artist who combines in his major work in analysis – O Intimate Diary - a profusion of codes in expressive movements and semantic pluralities linked in a distinctive style in the visual arts and correspondences between them. The discursive resulting from cosmetic procedure produced by Kahlo generates various types of signs associations, making their many meanings arts and unique art with unusual character of its aesthetic exercise.