O PROCESSO INVENTIVO DE JULIO CORTÁZAR E SUA RELAÇÃO COM OUTROS SISTEMAS: PINTURA E CINEMA

Abstract

The purpose of this project is to present the inventive procedures in the work of the argentine writer Julio Cortázar, and, has as cut the reading and analysis of some tales, that earned us as paradigms to the achievement of this project. Such procedures involve not only the proper specifications of the tale’s structure, but, the possibilities of relations between the verbal speech and other ways of semiotics interactions, in the case of this project, the painting, the movies and photography. First the text holds in the verbal speech, by the analysis and reflection of three tales, through the style traces that compose them, are they: “Casa tomada”, “Carta a uma senhoria em Pais” e “Circe”. In a second moment, we will use the tale “Continuidade dos parques” for better disposing to the similarity relations with the paintings “A condição humana” e “o Espelho falso”, represented in the project by the plastic work of René Magritte, and, finally, composing the third chapter, the project realizes an audacious movement, imposed by the tale sui generis, “As Babas do Diabo”, recreating in the movies by Michelangelo Antonioni in the movie “Blow-up”. Move among this two works, the question of real and imaginary, represented by photographic language. This movement of distinct systems, coming of the remarkable universe of invenção of the argentine writer, excites, during the project, many theoretical questions such as: realism notions and its strands, and, concerned questions to artist’s creations and its expressive nuances.