CONSTRUÇÃO DA CENA CULTURAL E MUSICAL DO ROCK ALTERNATIVO GOIANO

Abstract

The present work has the objective of analyzing the construction of the cultural and musical scene of alternative rock from Goiás. From the notion of field, abstracted from the work of Pierre Bourdieu (2012), presents the rock from its roots and its emergence in the United States as well as its main agents and musicians. There is also the Brazilian rock of the 80's, influenced by the majors, followed by the opposition of the punk movement, in parallel with the São Paulo working-class movement, as a periphery movement and groups forgotten by the great musical media. Through the motto of it yourself, punks countered this idea of dominance by major record companies, provoking a conflict between the dominant, represented by the majors, and the dominated, represented by the underground punk movement. This movement reverberates in Goiás and the youth of Goiás promote, through festivals and fanzines, a local rock forgotten of the call Axis Rio-São Paulo and against the attempt to create a sertaneja musical identity for the goianos. In this process, it creates a musical and cultural scene with its own identity. The work heard entrepreneurs, participants of bands in interviews and had as theoretical contributions of Napolitano (2005), Benevides (2010), (2013), Bourdieu (1996), (2007), (2012), Alexandre (2002), Dapieve (1996), O‟Hara (2005), Friedlander (2002), Dias(2000), Brandini (2004), Kossa (2005).