TRANSCRIAÇÃO NARRATIVA DO ROMANCE O TRONCO, DE BERNARDO ÉLIS, E SUAS VARIAÇÕES DISCURSIVAS

Abstract

This research aims to address the discursive variety that integrates the novel O Tronco, by Bernardo Élis, in its historical, regional and sociological dimensions, presenting the primordial elements of its translation, through a creative and transcritical process. It is intended to investigate the relations of power and the existential human condition, subjects intensely explored by the writer and the filmmaker, from the cultural / ideological representation of the sertanejo and the surrounding environment - a reflection of the collective imaginary built and still under construction; to understand communicative properties present in the literary work and in its translation / transcription to the language of cinema. For this are highlighted three cultural dimensions in which are inscribed the characters. It was concluded that his aesthetics relates the real facts (the "external") to the fictional narrative (the "internal"), but they are, in fact, the social and historical elements that allow to demonstrate, with the mimicry of coronelismo, the deficiencies and cruelty of the (universal) system of domination of man, this represented by the sertanejo and his miserable condition.