UM OLHAR SOBRE A LINGUAGEM E O (DES)CAMINHO DO REAL AO IMAGINÁRIO EM A CASCA DA SERPENTE, DE JOSÉ J. VEIGA

Abstract

The literary work A casca da serpente, by José J. Veiga, is the object of analysis of the dissertation. The look is about the language and the (dis) way from the real to the imaginary, for they reveal the process of creation of art as enigmas in the so-called multi-meaning of words. The reader's imagination is sharpened in reading, by which he knows himself, the other, and the world. Images gain meaning in the human mind that creates forms of knowledge. There is construction of paradigms between intertextualized works. Through the system of signs, the perspective of the real dialogues with the artistic imaginary. It aims to observe the language of invention that turns to itself. It aims to analyze language as a counter-discourse. Understand the signs that intertextualize the sacred, the allegory, the imaginary and the artistic creation itself. Thus, the corpus becomes a sample of the inventive process of José J. Veiga, being the vehicle of cultural symbols of the human condition, such as the changes occurring in the central character, symbolizing a search for human improvement, in all aspects, including a idealized world construction where the participation and interaction of all are allowed.