A NARRATIVA CURTA DE MIGUEL JORGE: ENTRE O LEGÍVEL E O ESCREVÍVEL

Abstract

The focus on this research was promote analytics and theories studies in short narratives, highlighted the instances of the narrative discourse meaning production, establish the relations of Lacraus’ short narratives textual construction, by Miguel Jorge, separating the frames and montage process and other arts approaching. The study emphasis was the textual architecture that promotes text and reader interaction, text effect and reception, as a contemporaneity conjunction: genre hybridization and verify the tension actions in narrative linear and non-linear discourse in focus. In way to accomplish the general and specifics objectives of this research, some Miguel Jorge’s narrative texts was used in a way to analyze the theory and analytic fundamentals. From Miguel Jorge’s works, it was observed the construction process adopted by the author on the character’s constructions as a way to capture and silence them. Between a variety of theory authors used in this study, Alfredo Bosi, Aguinaldo J. Gonçalves, Boris A. Uspênski, Eleazar M. Meletínski, Gerard Genette, Robert Humphrey, Roland Barthes and Tzvetan Todorov had an effective influence on the critical thinking.