NARRATIVIDADE, METAFICÇÃO E TRANSCRIAÇÃO EM BOCA DO INFERNO, DE ANA MIRANDA

Abstract

In this work, our search object is the novel, Boca do Inferno, by Ana Miranda, adopting as the focus the interpretative analysis the inflows of the narrator voice in its immersion, in the search of the iconic subject: Gregório de Matos Guerra, his figure controversial; the uniqueness of his style, which give his poetry unique importance to Brazilian Literature. This work by Ana Miranda is a narrative construction based on confluences and tensions, created by various discourses, transiting on the frontiers between the historical universe and the history, that bring out lived and felt experiences, grouped in the vast imaginary in which the own poet and his work. The mirandian romanesque discourse will be observed here, in its enunciation, in the transfigurative reconstitution, in its narrativity that crosses the historical and social dimensions in its transcritical enterprise. It is intended, therefore, to investigate, in the discourse of transcreation and transfiguration, based on the presuppositions of theorists such as: Mikhail Bakhtin, Walter Benjamin, Roland Barthes, Homi Bhabha, Haroldo de Campos, Gérard Genette, Julio Plaza, Linda Hutcheon, others, that instrumentalize our critical discourse in the three chapters of this dissertation, being that in the first one we pointed out how Miranda did emerge the subject narrated by the procedures of its fictional language; and in the second, we dwell on the meanderings of the historiographical metafiction and, in the third, the approaches go back to what was used throughout the dissertation, ascertaining the discursive strategies in which Ana Miranda translates Gregório de Matos Guerra in its multiple dimensions, as central character of his romance.