ARTES ECOPOÉTICAS E ECOPICTÓRICAS EM GOIÁS

Abstract

The present study aims to analyze the lyrical and / or pictorial images of the poets Alcione Guimarães (also visual artist), Lêda Selma and Maria Helena Chein; the poet and plastic artist, Yvan Avena and the visual artist, G. Fogaça, representatives of the plurality that embraces Brazilian literature, ecopoetry and ecopoint production in Goiás. Artistic productions extrapolate the senses and contemplate the metamorphoses of lyrical and pictorial making . They encompass horizons beyond their creative spaces and the means where their existences pass. The dissertation is composed of three chapters: in the first one we will present the basic concepts that guide this proposal. In the second one we will approach the lyrical images that permeate the poem Water-life, by the writer Lêda Selma. Then, with the same theme "water", the reader will be shown the screen / poem Chove by the French painterpoet, Yvan Avena; in which the lyrical / transverse image-lyrical self dialogues with anguish, loneliness, disasters, disagreements and atrocities with the attentive observer / reader sensitive to the touch of poetic words and images. In the third chapter the poetic images and / or pictorial images of the poets Alcione Guimarães (who is also a visual artist) and Maria Helena Chein will be analyzed, as well as G. Fogaça, the painter of the rushed cities. The study will have as support the theories of the poetic text, the imaginary, the performativity and the ecocriticism, in counterpoint with the lyrical and pictorial images of the mentioned artists. The present research will be supported by the theoretical perspectives of Gaston Bachelard, Gilbert Durand, Octavio Paz, Paul Ricouer, Alfredo Bosi.