Desrealização e Transcriação em Madame Bovary, de Gustave Flaubert e a Paixão Segundo G.H., de Clarice Lispector.

Abstract

In this study, we chose, as a basic question, the process of artistic-literary derealization, taking as main object the works, Madame Bovary, Gustave Flaubert and A Paixão Segundo G.H., by Clarice Lispector. We approach artistic-literary realism as a derealization, as a process that illuminates the circumstantial reality, observing how this phenomenon occurs in the work of Gustave Flaubert and Clarice Lispector. In this critical path, we highlight two singular modes of aesthetic making that produce writing and that will lead to our purposes: these are the intensities and inventive tensions, the singularity of the aesthetic proposal and the dialectical relationship between historiography and historicity, which, more explicitly point to the centrifugal and centripetal movements, that is, the movements of language that report to the external movements of the world or, as one might say, empirical reality, and that which occurs in the movement of the word that plunges into itself, creating new worlds .