Cyberecopoesia e Imaginário em Improvisuais, de Gilberto Mendonça Teles

Abstract

In this study we analyze the work Improvisuais, by Gilberto Mendonça Teles, which brings visual poems. In his work, we observe the visual of poetic writing, the oral tradition, the emergence of writing and the visual poems of the poet. The objective was to demonstrate how poetry happens in several spaces of poetic writing, having as theoretical foundation the imaginary, present in the cyberecopoetry of the lyrical self. The methodology used was based on the reading of the poems, on Gilbert Durand's theory of the imaginary, on the analysis of José Fernandes’ poems in Cyberpoetry, on Bachelard's phenomenology, and on other poetic theories. Then, we anchor our perception starting with the analysis immersed in the theory of Greg Garrad who has an approach between literature and the environment. The methodology used in the analysis was focused on the phenomenology of Bachelard, following the path of the poet. We can highlight as a result of this work that Gilberto Mendonça Teles’ imaginary presents the performance of writing between light and dark, when the poet uses graphic resources where there are large and small letters, that he explores the blank space of the sheet, and uses the rhetorical resources and the plan of expression and content to assemble his imaginary. As a cyberspace, the poet explores the features of image and writing and uses the sheet of paper as space. Cyberecopoetry happens between the word, the page, the space, the mystic, and the imaginary. With the advent of a hybrid world, and considering the human being in this context, there is a strong need to think of poetics in its various spaces and surroundings. It presents an ecopoetry that portrays the cerrado of Goiás. Ecopoetry is still perceived as the art of investigating words, mysticism, the individual as a transforming agent of the environment that surrounds him. It instigates the researcher to go beyond the visual image of the poem, recalls poetic spaces, the surroundings of words, revisits the memory of the self as a citizen of the world, proposes ways of reflection and opens to the poem in the form of diving. With the emergent questions in which the world is, we will raise a fruitful reflection of imaginaries and daydreams with which the human being can revive his history, recognize himself as a co-participant of the environment that surrounds him, and become a transforming agent for emerging issues related to our planet.