“De boa menina à dona de mim”: análises para uma produção feminista, antirracista e não binária do serviço social

Abstract

The intersectional debate of gender, sexuality, class and race is introduced in this bibliographical research. It proposes to recognize the historical processes of plural feminisms based on two POP songs, analyzing two Brazilian POP songs: one of Luísa Sonza, called Good Girl, and the other song is the one of Iza, titled by Owner of me. Based on their clips, the history of the songs and their respective lyrics, they will be treated as entirety and not isolated since they serve to tie the link that links the reach of the feminist movements to the forms of media and the refractions of the society. Music as a universal power and concentration of strength and ideology, is built as a source of income and tenacity, in an attempt to be denunciation and remain significant for those who consume this product. However, it is necessary to analyze how Pop is used as profit, and the criminalization of its culture. The idea is to raise in a current way the discussions regarding the progress of social dismantling in a confrontation with the policies agreed between the legislative, executive and judicial branches that directly affect the bodies of women in their specificities and in this way the material of analysis extends to the characterization of the historical processes of constitution of the feminisms and their relation with the clips. To explain and identify the debates of Social Work in the categories presented by the songs, in a relation of the systemic and economic violence in the construction of quilombos of resistances.