Irmãos Campos e a recuperação de Sousândrade: o cânone em movimento

Abstract

This dissertation has a main objective try to understand the Sousândrade phenomenon through the innovative view of critics Haroldo e Augusto de Campos. For this we will use as the main object of study the Revision of Sousândrade book, published in 1964. Therefore, to understand the process of forgetting, that has affected the poet, is an important reflection in our research. We try to prove the work's relavance and importance for Sousândrade's rescue, because, before the publication the poet was see with differents eyes by the national literary cristicism: started to see Sousândrade not only marginelized poet, but like a misinterpreted poet, misread and misunderstood. Therefore, we search to understand the poet beyond the confines of Brazilian Romanticism, Sousândrade's chronologically literary school, theoretically. In his writing, characteristics that bring him close to modernism, most common from the second decade of twentieth century. The Guesa, Sousandrade's most popular work, is the main work examining in our research