Cecília Meireles e Lêda Selma: encontros e relações

Abstract

In this paper we investigate, in selected poems, by Cecília Meireles and Lêda Selma, focusing, at first, faces of lyricism, considering points in which Selma appropriates of elements and forms of Meireles poetry in a relationship based in a deconstructing process by an aesthetic new reading. We begin by presenting the paths of lyrical manifestation, in order to understand how the birth of aesthetic consciousness is consolidated and how it is present, as a process and procedure in the trajectory of these two Brazilian poets and how this awareness manifests between perceiving and feeling, in comparative approach, inquiring into the duplicity of this poetry that puts it on the edge of singing and lament at the same time. For this, we seek the intricacies of the discursive links that go, from the word, through the verse until reaching the whole that results in the installed process, from the sign to the figurativization of the idea and the image, the transfiguration of love and pain, observing the movement of the signs in corrosion, through the sloth, in which the dialogue of the signs that are sought in the creative transmutation between the voice and the silence producing senses in the sphere of sensory that results from synesthesia. Thus, we will serve as theories related to the approach, making use of the assumptions of aesthetics and commentators of creative language such as Julio Plaza, Eni Orlandi, among others