A utopia na distopia: a beatlemania entre flores e canhões

Abstract

This paper aims to bring to the center a utopia as resistance in the age of contemporary dystopia. A beatlemania as an aesthetic-musical project, which goes through crises and reforms, catastrophes and all sorts of bad weather, permeating the most imaginable cultural guides, in constant dialogue with other forms of language and thoughts, boosting or preventing the use of people and others. Such individuals deconstruct an idea of the bourgeoisie, dispelled in the meshes of globalization. To this end, in the chapter I present a crossing that takes place, the utopian process from the nineteenth century to the effervescence of the twentieth century, considering the movements of ruptures that begin at the forefront, passing through the wars and transformations were culminating with dissolution of contemporary values. This research then occupies utopia as a social framework, focusing or finding a large existential bubble, no sociocultural environment, and no place in the imaginary of this human unconscious. Investigate also in a utopia that is present as a transformation project from aesthetic transcriptions present in Beatles lyricism pieces compared to works of literary works: Bubble Gum, Lolita Pille, Mary Poppins, Pamela Lyndon Travers. In chapter II, he has a utopia as a rebellion, a utopia that gives voice to the revolutionary spirit, which is more than just a pamphlet of peace and love, a message of resistance between flowers and cannons, or the result of an aesthetic production of transcreation, which goes from Woodstock to Tropicália. In chapter III, this research discusses some issues related to entopy and dissolution of utopia to dystopia, analyzing the assumptions related to the Beatles postmodernist feature. Check out these questions, therefore, as between the lines of your songs that are both for aesthetics and modern philosophy, thus feeding critical literary and philosophical interests. The Beatles' song films and their interrelated literary works share an idea of utopia in chaos and utopia as resilience in dystopia. The chosen theoretical contribution brings studies of Gregory Claeys, Gilbert Durand, Gilles Lipovetsky, Jacques Derrida, Julio Plaza, Michel Foucault, Timothy Leary, Thomas More, among other theoretical themes that corroborate this moment