Entre o olhar e a experiência construtiva na obra de arte

Abstract

This dissertation work begins from the idea that the translation procedures are closely related to the process of construction of the work of art, be it in any form of artistic language. Thus, the intention is to analyze the plots and migrant nature of the artistic work, focusing on the literary text, with its multiple possibilities, considering its entire genetic path, from its roots, of how interartistic-intertextual relations are established, mobilizing, mutually ad infinitum. The theories used here offer a solid basis for the study, starting with the first chapter, in which we address fundamental aspects of translation, going through the complex universe of transcreation, through the migrant forms of language, until arriving at constructive experiences, as described in the third chapter, in the novels The hourglass and The eye of Horus, are mainly used in the theories of poetic art in Adorno, elements of semiotics of Barthes, Bourdieu of the theories on poetic art, the conception of allegory presented by Walter Benjamin, translation and transcreation by Haroldo de Campos, Derrida and Venuti, and of the literary theories of Sartre, Ricoeur, Eliot, Compagnon, in addition to Harold Bloom's Neglect Map and The Anatomy of criticism by Northrop Frye. This study is based on the reflection of Mimese defended by Aristotle, who reports the power of communication and reinvention, perpetuated in different literary readings