A VOZ NA CENA GOIANIENSE – entre a memória e a identidade: uma investigação do Teatro Goianiense entre as décadas de 40 a 70.

Abstract

The present dissertation, "The voice in the Goianiense Scene: between memory and identity - an investigation of the Goianiense Theatre between the decades 40-70" seeks to understand the aesthetic and practical influences in the training vocal of the goianienses actor. In this study we could understand that memory is a source of study of modern historiography, and thus was used here as a methodological basis through interviews with witnesses in this historical period. These voices were composited through the eyes of historians, writers and artists who participated and / or witnessed this process of identity of the actor Goiano actor. However, it became necessary to understand the concepts of voice presented by some of the leading theorists in the theater scene in the early decades of the twentieth century. Based on these concepts, I intend to describe some of the elements in training and practice of the goianienses actors, especially regarding the approach of the vocal work. For this, we mentioned some groups of modern Brazilian theater movement, the principles that drove the drama schools of the first decades of the twentieth century, as well as their theoretical foundations of the vocal work. This memorialistc reconstruction interconnect the foreign influences to us throughout this aesthetic revolution in this national scene. Therefore, cultural phenomena will be understood as consolidators in the goianiense scene and of this creative vocals processes.