Escrituração na escrita em Clarice Lispector: a linguagem do ser

Abstract

The present study aims to analyze the questions that underlie the ontological problems presented in the literature through the language that reveals it. It deals with writings that figure the experience - the limit between being and non-being, human and inhuman being for oneself, for the other and for death, as Martin Heidegger reverberates added the theories of existentialism from Jean-Paul Sartre. Language is presented as the greatest weapon of these literary works, based on the theories of Roland Barthes and Charles S. Pierce, among others. So, the narratives focus on ontological issues, however, not dissociated from the common experience, revealing the nuances of the world-culture, recreating aspects of the experience of the human condition and, mainly, of the aesthetic discussions. However, they are narratives of a philosophical and artistic nature that break with the modus operandi of traditional narratives. Between the lines of the text, the strength of a bureaucratic, authoritarian and violent social system is revealed, and in the whole of the works, the power to bring about this domination that suggests the counterpart of Wills, Schopenhauer's theory in The World as Will and Representation, as inherent to being human