A construção das subjetividades transcriativas em poemas de Maria Helena Chein e na arte de Rodrigo Godá

Abstract

The study focuses on the comparative literature between the poems of Maria Helena Chein from her book Pão Ázimo under Figueira (2019) and the works of the plastic artist Rodrigo Godá in his Catalog Series inventions (2006). The objective is to demonstrate that the art of these artists allows the mirroring to be evidenced, since the exterior is reflected in the interior, altering the search movements to explain the creative process (of both). It justifies with this mirroring, observing through the prism of the theories of Comparative Literature and transcriptive translation, starting from the exposition on subjectivity in lyrical and painting, associated with the concept of mimesis. Theoretical assumptions are used for this research: Comparative Literature by Tânia Carvalhal (2006), Transcreation by Haroldo Campos (2011), Subjectivity and mimesis in four pillars: Aristotle (1945), Georg Wilhelm Friedrich Hegel (2010), Emil Staiger (1969) and Theodor Ludwig Wiesengrund-Adorno (1996) / Octavio Paz (1996) and other theories and works that contributed to the research. In the first chapter you will see Comparative Literature and Subjectivity in the objects of study. In the second chapter there will be the Construction of Subjectivity: The Transcreation of the world. In the third chapter will be the Exploration of the Interface from translation to transcreation. When comparing Chein's poems and Godá's paintings comparatively, the creation of the human and its effects of meaning are highlighted as dominant. It is demonstrated in the transcriptive relationship of the transfigured universe, if in Chein the emphasis is on the creation of the human, in Godá this human reflects his image shattered in the object he creates