Os desafios da tradução como transcriação na contemporaneidade

Abstract

In this work, we start from the assumption that the aesthetic act, in its broadest sense, presents itself to us as the possibility of consciences touching each other in the dimension of affections. In this sense, we take into consideration all the elements involved in this process, namely, the sender, the receiver, the message, the context, the channel and the code. Likewise, one must consider that the entire translation process is an aesthetic-interactive act; moreover, it is a linguistic fact, a semiotic event that requires discussions about the sign that moves in all directions, including its various forms of appearance. It is this sign vibration that happens inside the language and the artistic object, in the relationship between them, in flows of approximations, dissimilarities and complementarities as predicted by great scholars in the area, such as Ferdinand Saussure, Charles Peirce, Roman Jakobson, Julio Plaza, Michel Öustinoff, Jacques Derrida, among others; who will serve as a theoretical basis in this research. Therefore, this paper aims to analyse translation in its three occurrences: intralingual translation or reformulation, interlingual translation or translation proper and intersemiotic translation or transmutation. There are three chapters in which the terms translation and transcription are widely used in the interpretative analysis of texts in which the presence of such procedures is noted in their texture