Traços da modernidade e do modernismo brasileiro nos poemas de Cora Coralina

Abstract

The study now presented is the result of a bibliographic research on the poetry of Cora Coralina developed in the Master of Arts at PUC Goiás. The proposal is to identify which are the characteristic features in the Coraline poems that are interrelated with the poetics of authors once consecrated as poets of modernity, such as Charles Baudelaire and Arthur Rimbaud. It is also intended to recognize what are the points of approximation between the writing of the poet from Goiás with Brazilian poets affiliated with Brazilian Modernism. The bibliographical references that support the study are concentrated on authors such as Alfonso Berardinelli (2007), Hugo Friedrich (1978), Walter Benjamin (2000), Marshall Berman (2007) and Davi Arrigucci Júnior (1990). From the concepts presented by the highlighted authors, we can observe that the chorine poetry presents characteristics of the Modernist Movement, even though the author is not affiliated with any literary movement. This is demonstrated by the similarities, both in terms of language and thematic choices, in poets who are members of the Brazilian Modernist Movement, such as Mário de Andrade and Manuel Bandeira. In the poems "All lives" and "Coisas de Goiás: Maria", selected for analysis and investigation of the hypotheses raised, Cora Coralina addresses the voice of simple women, unrecognized in a macho society, the City of Goiás, as a theme. the poetess lived. Following the example of these women that Cora sought to express her hardships in relation to the human condition, she also captured other figures who were on the margins of society, placing them in the best place of contemplation in verse