Escritura e revelação do ser e da arte n'A Paixão Segundo G. H., de Clarice Lispector: passagem para a hipermodernidade

Abstract

This dissertation aims to demonstrate that Clarice Lispector's Passion According to G. H. is one of the milestones of passage of aesthetic composition, a place, between modernity and hypermodernity, for already questioning and foreshadowing, among other aspects, the time of hyperindividual and hypernarcissism. Although it has not broken with tradition, he individualized the disorder provided by the contemporary non-me, also revealing, as language, an Art and a Fragmented Being of the whole. This harbinger of contemporary existence was verified, under a phenomenological approach, through aesthetic processes converged in a transitory space, which navigates between the concealment and the simulation of the hyper-real, and which are evident both in the second phase of modernity and in the deterritorialized space of hypermodernity - the non-places increasingly absorbed and transmitted by artistic making, from the second half of the twentieth century