O entrecruzamento de imagens na obra Azul dentro do banheiro da poeta Marlene Terezinha Mourão

Abstract

The author of the work Azul dentro do banheiro is from the South of Mato Grosso. Her name is Marlene Terezinha Mourão, but she is also known as Marzinha. Our proposal is to deal with the photographs and poems present in this work. The relationship between these two semiotic systems is based on a benjaminian and barthesian perspective. The transcreation of this artistic object is sought in the most objective sense possible, so that its essence is manifested. In this way, is proposed, subtly reading the work as it is. The permanet language in Marlene Mourão's work is similar to the communication between the butterfly and the benjaminian flowers, where the words of childhood confront adults. Thus, the language that used effigies and words to transform philosophy into poetry is discussed. The photographs in the work are not dispersed or immobile: in movement and following a script they are part of the narration that transcends the portraits. The silence that permeates the work manages to penetrate the gestures of the children who play joyfully, authentic and unconcerned with the judgments. We want, therefore, from this conjunction of systems, to present the disquiet of the voices, which seem to be different instances of a single being and that claim the approximation of human life in its identity