A escritura bonassiana em Passaporte e suas relações com o cinema e o interlocutor

Abstract

This paper aims to perform a study about the interfaces established between Passa- porte, Fernando Bonassi`s literary work, and cinema, as well as their correlation with the interlocutor. Just like a film camera, the images produced in this text, capture a specific field of view, not a spatial continuum, but fragments that record a limited portion of reality, chosen by the writer, which determines a particular form of reception of the text where interpretation establishes itself between effect, which is the time conditioned by literary work, and reception, the time set by the addressee, who is requested to actively participate in the composition of the meaning of the text. From the late nineteenth century the center of interest of figurative object in literature and film, shifted from external reality to imagination of the viewer and reader, making them part of artistic creation, as seen in literary work under examination. It will be carried out the study of textual significance, which refers to the establish- ment of meaning, dissimulated by language in fictional writing, that requires an in- stance of pleasure and distress, resulting from the significant promise of what literary work keeps concealed. It will also be subject of reflection, the study of metaphorical images, in particular their correlations with the non-places, which are spaces occu- pied by human groups, without identification or bonds of coexistence with them. The world of massification constitutes these spaces, typical of modern epoch, such as shopping malls, airports, doctors' offices, are found in this literary work, thus making them one of the hallmarks of its constructive model and giving it a special current connotation.