CONTRASTE ENTRE PERSISTÊNCIA E FLUIDEZ SENSITIVA

Abstract

This work intends to make a relational study of some Salvador Dalí’s paintings and Fernando Pessoa 's writing in “ Na Floresta do Alheamento” under the perspective of the aesthetics, persistence and fluidity. We aim to prove that both pictorial and poetic language are fluid, fragmented, wistful, paradoxical, sensitive and full of drunkenness. They bring us a range of images, dreams and magical worlds of the unconscious, leading us to the transaesthetic, which is a transspace, since works navigate in the interlude, in the writing of the artistic imagination, in a state of liquidity. These works lie outside the world of rationality, opening up to the world of onirism. The proposal has as its motto the phenomenological approach with emphasis on the paradoxical contrast relevant to contemporary aesthetics. This study is part of a line of research that deals with contemporary criticism and seeks to find the theoretical features of art now. Thus, it is expected that this dissertation can serve as a model of aesthetic relationships of works in different forms and species. In this way, we will initially approach the work of art as a process of sensitive fluidity, such as concealment, reverie, movement and fragmentation. Subsequently, we will trace the person’s poetic art course, in the interlude, moving from dissimulation to absurdity and from modernity to contemporaneity. Finally, we will talk about the persistence and fluidity of Dalinian paintings. We will focus on the unusual, the fragmentation, the saturn and the bizarre, realizing a counterpoint with the person’s poetic prose.