A ELABORAÇÃO DO ARTÍSTICO NA ESTRUTURAÇÃO DOS ELEMENTOS CONSTITUINTES DO ROMANCE VEIAS E VINHOS, DE MIGUEL JORGE

Abstract

This summary hereby developed has as its aim to examine the elaboration of the constitutive elements of the romance Veias e Vinhos (Vains and Wines), of Miguel Jorge. Initially, were analyzed some alterations occurred in the manner of how the romance was narrated, that breaks with the traditional model and uses innovating narrative techniques such as, multiple voices, various time and spaces that intertwine and the predominance of the interchanged narrative. These new narrative techniques reflect the convincing manner and the fluctuant and fragmented reality that thrives in the world today. In the development of this analysis, we search to show that the modernist romance has gained a new profile. It is part of this the disappearance of the continuous narration in the discourse of the story. Its construction is done through different narrators, especially through those who that are done by the mental analysis. The use of the conscious flux (that puts in scene the chain of consciousness) serving of a time emanated of the character’s living, being, therefore, different of the chronological time, linear, that commands the development of the actions in the traditional romance. In the fictional universe of Veias e Vinhos, the focusing goes through the exterior world to the interior, making that the reading puts us in direct contact with the character’s living, that are fictionally represented in the work. And what we experiment, artistically, are the free association of ideas, chaotic psychic states of characters with psychological perturbances, all this conducting us to a permanent temporal and special flow. Evidently, in this case, that the modernist romance, unquestionably and low dynamics of contemporary life, to fictionalize the dynamism, multifaceted and fragmentariness that perms the present story.