A violência nos contos "O cobrador" e "Feliz ano novo" de Rubem Fonseca : uma perspectiva da crítica sociológica

Abstract

In this work, we present and critically discuss the fundamental nuances that surround the stories of Rubem Fonseca. To make this possible, we approached the construction of constituent discourses in the works, scrutinizing the modes of character construction. Through a bibliographic research involving authors such as Michael Foucault (2001) and Terry Eagleton (1983), are based on the analysis concepts that were used to carry out this research. Taking Rubem Fonseca's literary text as an object of analysis, we use the Postulations of Antonio Candido (1989) to understand the social prophase proposed by the literature, in an expanded sense, to realize its particularities and identities. The stories to be worked on will be “The Collector” (1970) and “Happy New Year” (1975) that stamp, in a majestic way, the simplicity the speech of real society, its characteristic and marginal discourse, surrounded by violence, in its various forms