Imaginários possíveis e fronteiras invisíveis no telurismo dos entrelugares

Abstract

Tellurism has always been conceived as a manifestation of man's relationship with nature, but in some authors this sense is resignified and expanded. Manoel de Barros, in his production of the General Treaty of the Greatness of the Infinite, presents a lyrical construction in which the poetic subject exists through nature, translating the inaudible voice of that space; Mia Couto, in her literary work Dew Root and other poems, allows nature to speak through the poetic subject in a process of identity construction, seeking in its essence nature as the ancestry that formed man. In both, nature is the element that leads the individual to perceive himself in his time and space, thus, countless are the possible imaginaries through the dialogue with nature, making the Frontiers increasingly invisible, giving Tellurism the possibility to go through those places of the being and the world