A intertextualidade e o imaginário performático nas estórias de Pedro Malasartes em recontos orais e por Ana Maria Machado

Abstract

The thematic proposed in this dissertation consists of intertextuality and the performative imaginary in the stories of Pedro Malasartes in oral retellings and by Ana Maria Machado in her work entitled Histórias à Brasileira. The study, of a theoretical nature, aims to: understand Oral Literature and its importance in society; relate the intertextuality and the performative imagery that is present in all texts and compare the retold oral tales of the picaresque character Pedro Malasartes. In this work it is demonstrated that according to Kristeva (1984) every text is constructed and reconstructed through the absorption of another and that through the performative imaginary we can experience the stories read or that are told to us and thus relate them to our lives, exemplifying also that Pedro Malasartes' short stories demonstrate the possibility of the oppressed turning against the oppressor. The methodology in this work is of a dialectical nature, whose theoretical contribution is based on different authors who dialogue for the construction of this research. From the perspective of approaching the problem, the research is qualitative, this option is linked by its broad and flexible characteristics, allowing researchers who choose this line of study to propose new approaches resulting from investigations extracted directly from the dialogues between the different works. researched. Among the selection of bibliographic reference are: Mikhail Bakhtin, Júlia Kristeva, Zumthor, Durand among others